Art was everywhere, underfoot in the form of mosaics, overhead in the form of architecture. In this screen, which masked the entrance of a dark passage communicating with the Condemned Hold, about five feet from the ground, was a hatch, protected by long spikes set six inches apart, and each of the thickness of an elephant's tusk. She had not felt comfortable in his presence from the first, and with Leonardo’s precepts in mind, was loath to trust him.
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