And the balcony and ‘My Romeo!’” “Shakespeare is altogether different from the modern stuff. “Lucy. Here the ribs of a thousand pounds beating against the Needles— those dangerous rocks, credulity here floated, to and fro, silks, stuffs, camlets, and velvet, without giving place to each other, according to their dignity; here rolled so many pipes of canary, whose bungholes lying open, were so damaged that the merchant may go hoop for his money," A less picturesque, but more truthful, and, therefore, more melancholy description of the same scene, is furnished by the shrewd and satirical Ned Ward, who informs us, in the "Delectable History of Whittington's College," that "When the prisoners are disposed to recreate themselves with walking, they go up into a spacious room, called the Stone Hall; where, when you see them taking a turn together, it would puzzle one to know which is the gentleman, which the mechanic, and which the beggar, for they are all suited in the same garb of squalid poverty, making a spectacle of more pity than executions; only to be out at the elbows is in fashion here, and a great indecorum not to be threadbare. A faint, delightfully humorous smile parted her lips. And not only so, but that it was after all, a more systematic and particular method of examining just the same questions that underlay the discussions of the Fabian Society, the talk of the West Central Arts Club, the chatter of the studios and the deep, the bottomless discussions of the simple-life homes. After repeatedly trying to remove the plate, which was so firmly screwed down that it resisted all his efforts, and vainly attempting to pick it with the spike and nail; he, at length, after half an hour's ineffectual labour, wrenched off the box by means of the iron bar, and the door, as he laughingly expressed it, "became his humble servant. ’ ‘Precisely. ‘Very wise,’ he commented, slightly relaxing his arm.
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