Did he see him, this Monsieur Charvill?’ ‘I don’t rightly know, miss,’ confessed Kimble. ’ She let out a peal of laughter. After him! A hundred pounds to the man who takes him. Snatching-up his pistols, he rushed to the door, but to his horror found it fastened. Lucy looked at the stains on the threadbare carpeting to distract herself, embarrassed to her core. "My horse is at the door, saddled, with pistols in the holsters,—mount him and fly. Spurlock felt very well pleased with himself. Here the ribs of a thousand pounds beating against the Needles— those dangerous rocks, credulity here floated, to and fro, silks, stuffs, camlets, and velvet, without giving place to each other, according to their dignity; here rolled so many pipes of canary, whose bungholes lying open, were so damaged that the merchant may go hoop for his money," A less picturesque, but more truthful, and, therefore, more melancholy description of the same scene, is furnished by the shrewd and satirical Ned Ward, who informs us, in the "Delectable History of Whittington's College," that "When the prisoners are disposed to recreate themselves with walking, they go up into a spacious room, called the Stone Hall; where, when you see them taking a turn together, it would puzzle one to know which is the gentleman, which the mechanic, and which the beggar, for they are all suited in the same garb of squalid poverty, making a spectacle of more pity than executions; only to be out at the elbows is in fashion here, and a great indecorum not to be threadbare. These fellows must be right,” he added thoughtfully, “and yet—there’s a mystery somewhere. But we waste time. They were the same. And that’s why I’m at your service. The act was mechanical, a bit of sparring for time: his anger was searching about for a new vent.
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