But it was extraordinary what seemingly irrelevant things could restore her to the thought of Capes again. Martin came to the stage from his section, his own violin in hand. Why should she trouble herself over that young fool, who was nothing to her; who, when he eventually sobered up, would not be able to recognize her, or if he did, as something phantasmagorical? Perhaps he should not apply the term "fool"; "unfortunate" might be the more accurate application.
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