He was a little impressed by Ann Veronica’s metaphor of the string, which, indeed, she owed to Hetty Widgett. Stanley was inclined to think the censorship should be extended to the supply of what he styled latter-day fiction; good wholesome stories were being ousted, he said, by “vicious, corrupting stuff” that “left a bad taste in the mouth. She will sail, at early dawn to-morrow, for Rotterdam. ’ Dieu du ciel, but she was a fool. That is what they call these aristocratic refugees, the English.
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