It was such an unexpected stroke of fortune. The Scotchman informed Ann Veronica that your view of beauty necessarily depended on your metaphysical premises, and the young man with the Russell-like hair became anxious to distinguish himself by telling the Japanese student that Western art was symmetrical and Eastern art asymmetrical, and that among the higher organisms the tendency was toward an external symmetry veiling an internal want of balance. ’ ‘I do not care any more about the portrait,’ Melusine said, opening the door to the attic corridor that gave off onto the row of little rooms that served as private cells for the senior nuns. But "fine" is the word.
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