He was in front of one of the more imposing of the cafés chantants—opposite, illuminated with a whole row of lights, was the wonderful poster which had helped to make ‘Alcide’ famous. "The ceiling is breaking! the floor is opening! he is coming to me!" cried the unhappy woman. The sing-song girl, her fiddle broken, was beating her forehead upon the floor and wailing: Ai, ai! Ai, ai! Spurlock—or Taber, as he called himself—sat slumped in a chair, staring with glazed eyes at nothing, absolutely uninterested in the confusion for which he was primarily accountable.
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