All through the love music of the second act, until the hunting horns of Mark break in upon the dream, Ann Veronica’s consciousness was flooded with the perception of a man close beside her, preparing some new thing to say to her, preparing, perhaps, to touch her, stretching hungry invisible tentacles about her. Why did you go back to your old look? Don’t take it personally, Lucy, but sometimes you look like you are trying to dress ‘poor’ or something. ‘But Gérard—if you mean the fellow Alderley who was making eyes at Yolande—is not here.
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