“Is it any one you know?” Brendon asked. ” She spoke like a mistress addressing school-children. For the most part these were detached people: men practising the plastic arts, young writers, young men in employment, a very large proportion of girls and women—self-supporting women or girls of the student class. . The Scotchman informed Ann Veronica that your view of beauty necessarily depended on your metaphysical premises, and the young man with the Russell-like hair became anxious to distinguish himself by telling the Japanese student that Western art was symmetrical and Eastern art asymmetrical, and that among the higher organisms the tendency was toward an external symmetry veiling an internal want of balance. He stood transfixed. ’ Annoyance sent Melusine leaping to her feet.
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