The slack of her ridinghabit and full under-petticoats was gathered into her left hand, and her booted ankles were visible as she held the skirts well out of her way. The windows were small, and strongly grated, looking, in front, on Kendrick Yard, and, at the back, upon the spacious burial-ground of Saint Giles's Church. A hush descended across the audience as instruments tuned, creating small ladders of fifths that collapsed abruptly, snatches of solos that disappeared and reappeared like gags in a house of mirrors. “It would have been rash and unwise,” she said at the end of a meditation. They do not come for me, to find me and bring me home. .
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